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甘肅民宿景觀設(shè)計施工(甘肅民宿景觀設(shè)計施工圖)
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文章目錄列表:
一、不負鳳凰措藝術(shù)鄉(xiāng)村民宿
不負鳳凰措是一個鄉(xiāng)村整體建設(shè)項目,是一個空心村改造實踐。它是由孔祥偉和他的觀竹景觀設(shè)計團隊一直設(shè)計和建造的。這個村莊最初叫杜家坪,是山東東南部一個典型的石砌村落。在城市化的過程中,村莊被遺棄了,大部分老房子都倒塌了,還有十幾棟老房子留下了。鳳凰村整體定位為鄉(xiāng)村藝術(shù)區(qū),包括B&B酒店和藝術(shù)家工作室,并包含森林藝術(shù)畫廊、水劇院、山頂教堂、山坡花園、圖書館和博物館等文化空間。它還包括茶館、café、餐廳和兒童公社等 娛樂 空間,并留下了一個區(qū)域來創(chuàng)建一個老房子博物館。
整體設(shè)計理念:保護與再生相結(jié)合。保留文物、古建筑、樹木,加入大膽的新元素,保留街道和庭院的肌理。在材料的使用上,他們從倒塌的老房子中使用暖黃色的舊石頭、混凝土和耐候鋼板來追求材料的真實性;對于景觀,他們使用舊材料,種植雜草;他們使用現(xiàn)代語言作為空間和建筑語言。
施工理念:將設(shè)計轉(zhuǎn)化為施工。設(shè)計師在現(xiàn)場工作,并參與具體的施工過程,稱為“在家設(shè)計”。工匠的技能在施工過程中與設(shè)計師結(jié)合并反饋給設(shè)計師。設(shè)計作品在長期的野外施工中融入了自然生活,在這一時期產(chǎn)生了詩歌、散文和繪畫。第一階段持續(xù)了三年。他們建造了村口、胡同的藝術(shù)家工作室、B&B酒店接待中心、餐廳和老四合院招待所。
村口:以山的形象,用當?shù)氐氖^做成的兩件雕塑形成村口,與遠處的山相呼應(yīng)。
Phoenix Lake Village is a rural overall construction project and a hollow village regeneration practice. It was designed and built by Xiangwei Kong with his Guanzhuscape design team all the way. The village was originally called Du jiaping, which was a typical stone-made settlement in southeastern Shandong. In the process of urbanization, the village is abandoned, most of the old houses are collapsed, and more than a dozen old houses are left. Phoenix villages are positioned as a Rural Art District overall, including B&B hotels and artist studios, and contain cultural space such as forest art gallery, water theater, hilltop church, hillside garden, library, and museum. It also includes recreational space such as teahouse, café, restaurant, and children’s commune, and it has left an area to create an old-house museum.
The overall design concept: the combination of protection and regeneration. Retaining the relics, old buildings and trees, adding bold new elements into them, and keeping the texture of the street and courtyard. In the use of materials, they use warm yellow old stones, concrete and weathering steel plates from the collapsed old houses to pursue the authenticity of materials; as for the landscape, they use old materials, and plant weeds; they use modern language as the spatial and architectural language.
Construction concept: transform the design into construction. Designers work in the field, and participate in the specific construction process, called “design at home “. The craftsman’s skills are combined with and fed back to the designer during the process of construction. The design work integrated with the natural life during the long-term construction in the field, and in this period, poetry, prose and painting were produced. The first phase lasted for three years. They constructed the village entrance, a lane of the artist studio, B&B hotel reception center, restaurant and old courtyard hostel.
Village Entrance: using the image of the mountain, they put two pieces of sculptures made of the local stone to form the entrance of the village, which echo the mountains in the distance.
藝術(shù)家工作室:位于西側(cè)第一個廢棄的小巷。院子里的老墻和樹都保留了下來,房子都是建在空間里的。主要的建筑材料是廢棄的老房子的石頭,窗戶是用混凝土和耐候鋼板建造的。
Artist Studio: It is located in the first deserted alley on the west side. The old walls and the trees in the yard have remained, and the houses are built in the space. The main construction material is the stone from the abandoned old house, and the windows are built of concrete and weathering steel plates.
B&B酒店接待中心:位于村廣場,是在老房子的基礎(chǔ)上建造的方形盒子建筑。它的建筑材料是古老的石頭、混凝土和耐候鋼。庭院和露臺種植芒草。內(nèi)部由混凝土構(gòu)成。此外,沙發(fā)和紀念品柜也是用混凝土預制的。
B&B Hotel Reception Center: located in the village square, it is a kind of square box building constructed on the basis of an old house. Its building materials are old stone, concrete and weathering steel. The courtyard and terrace are planted with Miscanthus. The inside is made up of concrete. Besides, the sofa and souvenir cabinets are also prefabricated with concrete.
素色餐廳:素色餐廳位于鳳凰村酒店區(qū)中心,周圍是老房子和樹木。它的名字來源于普通的混凝土。平淡是一種美,也是一種生活態(tài)度。素雅餐廳的理念也與鳳凰村對材料的原汁原味追求相一致。餐廳空間的設(shè)計追求透明性,東側(cè)和南側(cè)使用了大窗戶。建筑材料由清水混凝土和當?shù)氐氖^制成。未修飾的混凝土,配合清晰有力的幾何形式,呈現(xiàn)出原始的美感。餐廳的內(nèi)部完全由純混凝土構(gòu)成,包括吧臺、桌子和儲物柜。餐廳的屋頂由三角形的光井組成,整天都有各種各樣的燈光變化,門窗等建筑元素也是手工制作的。
Plain Restaurant: Plain Restaurant is situated in the center of Phoenix villages hotel area, surrounded by old houses and trees. The name is derived from plain concrete. Plain is a kind of beauty, and is also a kind of life attitude. The concept of the plain restaurant is also consistent with the original authenticity of the pursuit of materials in the Phoenix villages. The design of the restaurant space pursues transparency and the east and south sides use large windows. The building materials are made of plain concrete and local stones. The non-modified concrete, together with the clear and powerful geometric form, presents the primitive aesthetic feeling. The interior of the restaurant is wholly made up of plain concrete, including the bar, the tables and the lockers. The roof of the dining room is made of triangular light wells, which have various changes of lights all the day, and the building elements such as doors and windows are also made by hand.
石庭院:主體建筑為花崗巖石膏小屋,讓人想起上個世紀的花崗巖石膏建筑。小屋里有一棵老杏樹。
Stone Courtyard: the main building is the granitic plaster hut, which recalls the granitic plaster building of the last century. An old apricot tree is inside the hut.
刺繡庭院:主樓為生銹的鋼屋,庭院中的水景也是用生銹的鋼板做成的。
Embroidery Courtyard: the main building is a rusty steel cabin, and the waterscape in the yard is also made of rusty steel plate.
夯土房屋:主要建筑為夯土建筑。這是對夯土建筑的記憶。建筑的船艙窗戶由混凝土、鋼板和鏡面不銹鋼組成。
Rammed Earth House: the main building is a rammed earth construction. It is the memories of the rammed earth building. The cabin windows of the building are made up of concrete, steel plate, and the mirror stainless steel.
鏡面庭院:主體建筑為鏡面不銹鋼,是對比最強烈的建筑。院子里有很多的木瓜樹,室內(nèi)的屋頂是由彩色玻璃窗組成的。
Mirror Courtyard: the main building is made of mirror stainless steel, and is the building with the most intense contrast. There are a lot of papaya trees in the yard, and the indoor roof is made up of stained glass windows.
Phoenix lake Village, the regeneration of abandoned village
Architect’ Firm | Guanzhuscape Planning and Design Institute
Lead Architects | Kong Xiangwei
Collaborators | Li Guodong, Liu Yulong, Wang Wen, Lin Licong, Teng Xin, Xu Jingan, Wang Ziyi, Zheng Yakai, Pang Liangliang, Xiao Tianyan
Project location | Dujiaping county,Rizhao city,Shandong province,China
Completion Year | December 2017
Gross Built Area (square meters or square foot): 2000M²
Photo credits | Kong Xiangwei, Cheng Xuefeng, Wang Ziyi
二、
三、民宿設(shè)計要點有哪些?
1、實地考察勢在必行
如果你想成功地建造一個好的民宿,你必須在設(shè)計之前進行現(xiàn)場檢查。首先,我們必須充分了解設(shè)計對象--建筑。首先應(yīng)了解重建對象的現(xiàn)有功能和損壞情況。其次對建筑周邊的自然環(huán)境進行考察,了解要進行設(shè)計的建筑物與周圍環(huán)境的互動與聯(lián)系。
比起居住的房子與周圍的環(huán)境,人們更加注重的是親身的感受。一間好的民宿除了必須的硬件條件,還應(yīng)具備相應(yīng)的人文故事。所以最后設(shè)計師在設(shè)計之前一定要與當?shù)氐脑∶裆钊虢涣鳎私膺@里的風土人情,生活狀態(tài),要與建筑的主人進行深入的溝通,挖掘生活在建筑中的人在這里發(fā)生的故事、美好記憶與周圍的一些傳說典故,向游客展示每個家庭、每間民宿獨特的信息。
民宿設(shè)計是一個整體的系統(tǒng),不是獨立的個體,建筑、環(huán)境、氛圍都需要進行設(shè)計。所以設(shè)計師最好是在當?shù)刈∫欢螘r間,才能對周圍的環(huán)境有更深入的感受,做出的設(shè)計才會貼近當?shù)氐纳睢?/p>
2、發(fā)掘民宿設(shè)計亮點
在閑暇時間,越來越多的人選擇旅行來消磨時間。面對許多充滿商業(yè)氣息的旅游景點,人們更喜歡去沒有過度開發(fā)、生態(tài)保護更好的地方旅游,所以民宿受到了很多人的歡迎。但是,在早期的考察中,會發(fā)現(xiàn)一些老房子年久失修,損壞嚴重,無法滿足游客的基本功能需求。因此,在設(shè)計過程中,在保護的前提下,受損區(qū)域應(yīng)首先修復,以恢復其基本功能。
在基本功能得到完善的情況下,原生態(tài)是引人駐足的法寶,設(shè)計師在進行民宿設(shè)計的時候要把原生態(tài)的特質(zhì)強化,最大化的保留給人帶來良好感受的元素。使用藝術(shù)的手法,將環(huán)境中隱藏的美景進行放大、強化,讓原生態(tài)的景觀變得更加鮮明,顯眼,吸引人的注意。
3、創(chuàng)意落地
在民宿設(shè)計落地的過程中,當?shù)卣?、村民、設(shè)計師的需求之間產(chǎn)生矛盾時,必須尋求共同的背景,是如何最大化當?shù)氐膬r值和特色。現(xiàn)代社會很多從鄉(xiāng)村走出去的人,在回到鄉(xiāng)村的時候一味的追求現(xiàn)代化、都市化,盲目的遵從城市的風格,對鄉(xiāng)村進行改造,使得鄉(xiāng)村失去了原有的價值與特征。而這種特征恰恰是吸引游客到來的理由,所以設(shè)計師要耐心與村民溝通,告訴他們當?shù)厣鷳B(tài)的價值,其中蘊含的文化價值,要保護的不僅僅是一種形式,更是一種文化傳承。
農(nóng)村建筑和環(huán)境作為農(nóng)業(yè)文明的載體,要維護老房子就要延續(xù)一定意義上的歷史文脈,這就要求我們首先學會“尊重”傳統(tǒng)。在民宿設(shè)計的過程中,在滿足新的使用需求和美學訴求的基礎(chǔ)上,盡可能保持原建筑的歷史形態(tài)和建筑風味,是真正內(nèi)涵型的設(shè)計。
這種改造,使老房子看起來還挺習慣的,確實增加了舒適和時尚感
四、民宿酒店設(shè)計規(guī)范?
民宿酒店設(shè)計工程施工規(guī)范 一.一般規(guī)定 1、本章適用于明龍骨和暗龍骨吊頂工程的施工。 2、吊桿、龍骨的安裝間距、連接方式應(yīng)符合設(shè)計要求。后置埋件、金屬吊桿
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